Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
European city landscape, street landsacpe, construction, frontstore, building and architecture. 199

ID: 46823

unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture. 199
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unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture. 199


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unknow artist

  Related Paintings of unknow artist :. | idyll fran sommarpalatset i s t petersburg pa 1830 talet | European city landscape, street landsacpe, construction, frontstore, building and architecture. 202 | Banks of the Loire Basse Indre | Spring--Burning Trees in a Girdled Clearing, Western Scene | Ulita la Curtea de Arges, |
Related Artists:
Francesco Marmitta
recorded at Parma 1496-1504
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.






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